Sweetness, Mary Jehoshaphat. June is actually turning out to be a very good month for me!
I went to check out the gallery space last Thursday, and it turned out that the curator was giving me a lot more space than I had originally assumed: I have one 100 sq. foot room,
plus the hallway -- which adds (wait a minute, what's seven feet times eight feet time three?) . . . that adds another 168 sq. feet for a grand total of
268 sq. feet of display space. Wowsers. So far, I've been working and re-working sketches to make sure all my pieces are cohesive -- and now that I know I have this much space, I may need to provide an interactive arena on one wall just to keep it interesting. I'm all about circulating the
chi.
While I have been incubating ideas for the June collection's showcase (think pastel sugar flowers, Ron English, Americana kitsch, and Grant Wood's "American Gothic"), my publisher from New York City contacted me and alerted me that I am the only writer who is doing a graphic novel adaptation in the
MediaBistro e-book/print-on-demand literary reinvention of Horatio Alger, Jr.'s 1913 novel,
Joe's Luck; or, Always Wide Awake. They've partnered with Blurb.com, Scribd.com, and the hilarious folks who wrote and published the wildly-successful literary mash-up,
Pride and Prejudice and Zombies. A huge publicity campaign for the final product has been lined up, or at least *promised* by my publisher, and I will be quickly churning that one out for the deadline -- which is literally a few days following my gallery reception.
I feel ecstatic, to say the least --
BUZZED, I think, is more like it.
Now that the wood panels have been sent out to the New England chapter of the Anti-Defamation League's seventh annual Youth in Leadership Awards ceremony in Boston, MA, in time for their posh gala on June 5th, I can focus on this gallery opening and the reception party to ensue . . . . . What should I do for the party? Perhaps a wedding theme?